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	<title>Comments on: Finding a Voice: Who Is That?</title>
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	<link>http://writeyourbliss.com/finding-a-voice-who-is-that/</link>
	<description>Find and follow your bliss through writing</description>
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		<title>By: http://www.jamesfoster.info/</title>
		<link>http://writeyourbliss.com/finding-a-voice-who-is-that/#comment-21364</link>
		<dc:creator><![CDATA[http://www.jamesfoster.info/]]></dc:creator>
		<pubDate>Wed, 24 May 2017 11:54:29 +0000</pubDate>
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		<description><![CDATA[Wow, I have seen better GCSE projects.Ok, its a nice simple design and its purity gives it a certain attraction.  I&#8217;m gonna go and make one myself in the workshop after work.]]></description>
		<content:encoded><![CDATA[<p>Wow, I have seen better GCSE projects.Ok, its a nice simple design and its purity gives it a certain attraction.  I&#8217;m gonna go and make one myself in the workshop after work.</p>
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		<title>By: Josh</title>
		<link>http://writeyourbliss.com/finding-a-voice-who-is-that/#comment-43</link>
		<dc:creator><![CDATA[Josh]]></dc:creator>
		<pubDate>Wed, 25 Mar 2015 12:34:04 +0000</pubDate>
		<guid isPermaLink="false">http://writeyourbliss.com/?p=147#comment-43</guid>
		<description><![CDATA[Yeah, that personal voice idea is important, especially when we&#039;re writing non-fiction. Why would you want to sound like someone else when you&#039;re telling your story? I mean, if the message isn&#039;t clear, if the reader is unable to understand your point, that might be an issue. But that feels less like a question of voice to me. 

And I like the idea of then connecting the emotion through a different experience, deepening the voice. Part of the problem we run into is trying to &quot;describe&quot; how we felt at a particular moment when we should probably be telling a story to &quot;illustrate&quot; that emotion.]]></description>
		<content:encoded><![CDATA[<p>Yeah, that personal voice idea is important, especially when we&#8217;re writing non-fiction. Why would you want to sound like someone else when you&#8217;re telling your story? I mean, if the message isn&#8217;t clear, if the reader is unable to understand your point, that might be an issue. But that feels less like a question of voice to me. </p>
<p>And I like the idea of then connecting the emotion through a different experience, deepening the voice. Part of the problem we run into is trying to &#8220;describe&#8221; how we felt at a particular moment when we should probably be telling a story to &#8220;illustrate&#8221; that emotion.</p>
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		<title>By: Carol</title>
		<link>http://writeyourbliss.com/finding-a-voice-who-is-that/#comment-42</link>
		<dc:creator><![CDATA[Carol]]></dc:creator>
		<pubDate>Tue, 24 Mar 2015 18:51:02 +0000</pubDate>
		<guid isPermaLink="false">http://writeyourbliss.com/?p=147#comment-42</guid>
		<description><![CDATA[Just like I am sensitive to accents, and by this I mean that if I am around one for very long, I tend to pick up some of the inflections and sounds, I am sensitive to a writer&#039;s voice.  While reading, there are times I can&#039;t get into the rhythm of the writer, and may even quit reading.  Other times, I am right there with the writer, like we&#039;re sharing a dialog. 

My voice tends to be in phrasses, like I am thinking of more and more details of the original thought.  I was told in high school not to write this way.  But when I don&#039;t, I tend to sound very formal.  I do it anyway.

I took a writers workshop recently where the purpose was to find your deep voice.  The one that&#039;s conversational, like you&#039;re telling a story, and then deepening the voice (experience) by tying a moment to it  - an unrelated experience where the emotion of the statement is clear.  It can feel disjointed at first, but when you find the sweet spot, the work deepens and come alive.  I haven&#039;t practiced it much, but want to.  

I believe voice is developed, shifts and changes as we grow.  And like you said, in order for that to happen, you have to write.]]></description>
		<content:encoded><![CDATA[<p>Just like I am sensitive to accents, and by this I mean that if I am around one for very long, I tend to pick up some of the inflections and sounds, I am sensitive to a writer&#8217;s voice.  While reading, there are times I can&#8217;t get into the rhythm of the writer, and may even quit reading.  Other times, I am right there with the writer, like we&#8217;re sharing a dialog. </p>
<p>My voice tends to be in phrasses, like I am thinking of more and more details of the original thought.  I was told in high school not to write this way.  But when I don&#8217;t, I tend to sound very formal.  I do it anyway.</p>
<p>I took a writers workshop recently where the purpose was to find your deep voice.  The one that&#8217;s conversational, like you&#8217;re telling a story, and then deepening the voice (experience) by tying a moment to it  &#8211; an unrelated experience where the emotion of the statement is clear.  It can feel disjointed at first, but when you find the sweet spot, the work deepens and come alive.  I haven&#8217;t practiced it much, but want to.  </p>
<p>I believe voice is developed, shifts and changes as we grow.  And like you said, in order for that to happen, you have to write.</p>
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